The post offers an interesting look at the perception of emo today. Given that Stereogum doesn’t play into mainstream music standards and often prides itself on its (quite excellent) ability to subvert and branch beyond the increasingly formulaic indie tastebuds (see Brandon Stosuy’s “The Outsiders” column), its odd to see the light of emo in such a stereotypical mess. Not than Stosuy’s article wasn’t in good fun – it certainly was. But the responses certainly reeked of the tired-and-true attacks for and against emo:
Being sad about yr mom dying=so emo.
i have to kind of agree with the whole kanye gone emo concept…i think that it has to do with the passing of his moms thats taking the toll on some of his music…but this 808’s and Heartbreak album should be excellent if the songs r like heartless, love lockdown, and coldest winter
Kanye gone emo? Do you people even know what emo is? Obviously you don’t if you’re including Fall Out Boy in your emo jokes. Fall Out Boy is not an emo band, and the word emo has been mangled and twisted so much that it’s hard for idiots like you to recognize real emo if you see it. And you won’t see it if you’re listening to any recent music that is relatively mainstream. Quit using the word “emo” as a diss, especially when you have no concept of the real mean. And lay off Kanye for making music that has emotion and feeling. At least somebody still speaks from his soul.
The best is when emo kids defend emo by saying it’s not emo. Hilarity ensues.
I could easily break each argument down, see what the writer was thinking. But, that might be a waste of time. I’ve often found arguing over forums an unproductive and anger-inducing waste of time; when you’ve got someone so vehemently closed-minded about a subject railing against it, there’s no way they’d take the time of day to consider even the most well-researched, intelligent case against their voice. Granted, most of these posts aren’t anger filled, but there’s a certain close-mindedness associated with them that I sometimes wish didn’t exist in the realm of underground music; you’d think most people attracted to seemingly un-mainstream art would therefore subvert total musical close-mindedness. Or at least keep it in check.
So it goes.
But the Kanye track is pretty awesome in its own right. As far as the “shitty sound” I’ve seen posted about this song and the previous other ones, if this is indeed the aesthetic that Kanye is going for, I’ve got to give him more credit than I usually do. As I learned under the tutelage of Wayne Marshall, hip-hop producers from different parts of the globe have come to embrace the “shitty” sound many listeners tend to notice in the new Kanye tracks. In trying to make their music accessible for the masses, these producers embrace a sound that they know will sound good coming out of speakers or systems of poor quality. That can be anything from laptops and computer speakers to cell phones; after all, when audiophiles talk about getting the perfect listening experience, they drop words like “vinyl” and “surround sound.” But these things cost money, which isn’t exactly going around freely at the moment. By creating a sound that may come across as rough, flat, jarring, or however you want to categorize it, Kanye is producing music that is immediately accessible to music players (and those who own them) of all kinds; from laptops to concert-hall speakers, it’ll sound the same one way or the other. It might even sound better on a cell phone…
*Speaking of Wayne, he’s helping throw an event down in JP at the Milky Way on Thursday featuring Cabide DJ, who’s something of a funke carioca producer extraordinare. Check out Wayne’s site for much more info on the guy. If only I didn’t have these damn GREs, I’d be there in a second.
*Parts & Labor’s Receivers is out today. 3/4 of the way through the first listen and it’s quite an album so far – easily the most accessible album of theirs to date. They’re touring around this fall promoting the album so check them out – they put on one hell of a show.