Tag Archives: emocore

Hipsters Say The Darndest Things…

Well, I must stop myself there. I can’t say for sure if any of these folks are indeed of the hipster mentality. My guess is Anamanaguchi aren’t exactly, as they appear to have something of a normal sense of humor and hang out with genuine fun-loving guys Harry and the Potters (who are a very friendly duo of brothers from the area). But, look at this picture:

Am I right? Well, at least the dude on the right. But, as I said, far too much judging for me…

Anyway, the band will be performing at The Middle East next week, and The Boston Phoenix did a little piece on them with an interesting bit of information:

Anamanaguchi go back to 2003, when founding guitarist and programmer Peter Berkman was in the ninth grade in Westchester. In between recording Weezer covers on a four-track, he and his “songwriting bro” at the time, George, “would get some snacks, like some plain doughnuts, and play Mega Man, and we realized, ‘Oh shit, the music in this Bubble Man level is totally, like, the first emo song.’ We were listening to Sunny Day Real Estate all the time and we were like, ‘It’s the same thing, check it out!’ “

Listening in on their tunes on myspace certainly make the picture startlingly-clear; the power-pop metal rings true to Weezer, while some of the intricate guitar work is pretty reminiscent of Sunny Day Real Estate in all forms… and the inclusion of these sounds into “bitpop,” “chiptune,” or, as I like to call it (starting right… now) “nintechno” (not sure that really works for Anamanaguchi, but it’ll do for now) is pretty creative at least… Now I just need to get my hands on the song from the Bubble Man level of Mega Man to know what they’re talking about… Great stuff, but don’t get me started on their Wavves cover…

Switching from that, I stumbled upon a blog filed with post-post-modern non-sequitors that many a hipster tends to flock to in the guise of humor (not the blog, but the writing style). And here’s what a recent entry stated:

 

inventor of emo
i didn’t realize how ian mackaye annoys me until i saw him in person at the silver jews and he thought i was pointing at him.
At least she recognized Ian MacKaye’s connection to emo… in some form. But this is obviously a non-sequitor… the Silver Jews only went on a tour or two (unless I’m mistaken) and haven’t gone anywhere near DC in the recent past…. but I digress. The blogger may not be a hipster, but the humor is certainly in the guise and tone that many a scene-follower today tend to consider “funny.”
For your viewing pleasure, a trip back to when emocore was starting up, and Ian MacKaye’s reaction to the term during an Embrace show:
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Wham

 

Dan Deacons plank o wires

Dan Deacon's plank o' wires

Be on the lookout for a review of the Dan Deacon + Ensemble show at the Middle East Downstairs on Bostonist in the next day or two. As a side note/review preview, it was interesting to note a certain conflict between the ritualization of a performance and Deacon himself, and the thankfully positive resolution of said conflict… in many ways, it’s a modern take on the Revolution Summer days of emocore yore…

But I digress… check out Bostonist soon!

What a Beardo

Big news out of Belgrade this past Monday, where war crimes fugitive Radovan Karadzic was captured after years of “living in hiding.” Karadzic was thought to be hiding out in a cave, but had been living in disguise under the name Dragan Dabic. While Karadzic committed some hainus crimes, but I can’t help but be in awe of the situation. So while Saddam Hussein got caught for hiding in a hole, Karadzic hid in plain sight, simply practicing alternative medicine and creating a new identity. What’s most ingenious was Karadzic’s natural ability to create a disguise. Just look at this:

Before and After

Before and After

Now that’s a beard. Honestly, it’s hard to tell that Karadzic and “Dabic” are one in the same. You have to appreciate the finer points of facial hair growth, and it certainly benefited Karadzic (if only for a period of time).

As facial hair has provided safety for some, it’s always been something of a completely different use in my experience. Being able to grow a beard, mustache, or anything else that would never naturally fill a child’s face had been a sign of maturity (or even male superiority in some cases). Whomever managed to squeeze out the first batch of hairs beyond simple peach fuzz immediately gained some semblance of adulthood – or perceived adulthood – in the world of my youth. I still marvel at certain individual’s ability to crop facial hair into whatever whimsical shapes and sizes they could pick from.

Like a young man’s first set of sideburns, much of emo is a reflection of a growing maturity. If rock (and moreover, punk), as Lester Bangs described it, is innately youthful in its purest form, and if hardcore punk is merely an extension of that, then emo and other post-hardcore genres is an immediate reaction to those forms of music. Post-hardcore and emo were birthed as a growth from those primordial forms of music, of which many originators found themselves playing a communal role in. While Calvin Johnson proclaimed himself to be forever a teenager, he intended his mental state to be in that of the youthful open-mindedness, striving to grow beyond the binds of childhood but keeping those freewheeling ideas at heart. Johnson may have been tangling with the close-mindedness of age with his statement, but the emo movement developing in DC confronted those bonds of age in light of everyone’s physical and psychological changes over time. No doubt about it, those who were involved in harDCore had experiences that made them grow mentally as they grew into adulthood, and those changes are reflected in the cultural output of the emocore scene.

Tooth Paste For Dinners Beamo

Tooth Paste For Dinner's Beamo

Although it may not seem like those ideals of personal growth as reflected in music have held true to emo over time, it most certainly has been an important part of the culture to today. Sunny Day Real Estate addressed their evolving thoughts on life and religion even as it tore them apart. The Promise Ring observed the existential crisis of the modern American young adult as a method of moving across the country – the physical movement reflecting the mental change. Hell, even Dashboard Confessional’s tear-stained rants about love are representative of a greater longing than simply puppy love; Carrabba may sing solely about love and loss, but the loss isn’t simply the physical (ie, the lover) but a loss at a future greater than the present situation (a time of growth).

True, these are only a handful of groups in discussion. But for every act discussed, there is a wealth of other emo bands and cultural elements that reflect the ideology focused on grappling with (and simply about) maturity. It may not be a full beard, but it’s all about the journey of growth (be it facial hair or mentally) that’s in focus.

And now, a word on the awesome power of beards from Clone High: