Tag Archives: Entertainment Weekly

They Said It…

Right on the button… The emo-inspiring (in pop terminology, that is) webcomic title of Pictures For Sad Children has some of the driest and most on-point sense of humor I’ve seen online. And the depictions of music blogs and obsessions with top 10 lists is pretty histerical, even given my own end of the year lists.

Still, the thing I love most about end of the year lists isn’t an incessant need to categorize everything, but rather reflect on some of the music/movies/whatever that I found particularly compelling from the past year. These lists are often attempts by many to stand the “test of time,” but in many ways they’re a great marking for an individual’s personal state-in-time. Looking back on some of my previous end of year lists, I see records I undeniably loved and still cherish, but I can see there are other albums that would have garnered higher spots and some records that mean more to me as a, dare I say it, nostalgic item more than “album # of whatever year it is.” Looking back, there are some albums I might dig up soon and give another re-listen (because catching up on music is a job in and of itself).

Largehearted Boy has a full listing of countless year end music listings, to which this blog was humbly included, so check out that site for all the music you could ever want and more. I will not even attempt to match what he’s done, but rather give something of a breakdown, matching where I placed my top 10 against other listings. Enjoy:

# 1: TV On The Radio – Dear Science,

#1: Ann Powers (L.A. Times), The A.V. Club, Chris DeLine (Culture Bully), Entertainment Weekly, Jon Pareles (New York Times), Josh Keller (Culture Bully), Michael D. Ayers (Billboard), MTV, Rolling Stone, Spin

#2: Edna Gundersen (USA Today), I Guess I’m Floating, Margaret Wappler (L.A. Times), Stereogum (Gummy Awards), NME, TIME, WOXY (Top Played Albums)

#3: Blender, New Haven Register, Tiny Mix Tapes, Uncut Magazine

#4: Alexandra Cahill (Billboard), Erik Thompson (Culture Bully), Greg Kot (Chicago Tribune), NPR Listeners Poll

#5: Amy Lindsey (KEXP), Justin Harris (Billboard), Cleveland Plain Dealer

#6: Pitchfork, Troy Carpenter (Billboard)

#7: Associated Press (Best Rock Albums), Nate Chinen (New York Times), Q Magazine

#8: Susan Visakowitz (Billboard)

#9: Cortney Harding (Billboard)

#10: Jessica Letkemann (Billboard)

#11: Chicago Sun-Times

#20: Mojo

#27: Drowned In Sound

#33: Amazon.com editors’ Best Albums

#50: Paste Magazine

General Favorite Listing: John Bush (Allmusic.com, top pop albums), Heather Phares (Allmusic.com, top pop albums), James Christopher Monger (Allmusic.com, top pop albums), Jason Kinnard (KEXP), Joan Anderman (Boston Globe), Kelly Hilst (KEXP), Limewire Music Blog, Sarah Rodman (Boston Globe),

Honorable Mention: New York Observer

#2: Why? – Alopecia

#1: Morgan Kluck (KEXP)

#6: About.com

#7: Drowned In Sound

#8: Eric Mahollitz (KEXP)

#10: Morgan Chosnyk (KEXP)

#11: Tiny Mix Tapes

#13: Stereogum (Gummy Awards)

#24: Cokemachineglow

General Favorites Listings: Kyle Johnson (KEXP)

Honorable Mention: Pitchfork

#3: Parts & LaborReceivers/Escapers Two

#5. New Haven Register

#6: Greg Kot (Chicago Tribune)

#9: Amazon.com editors’ Best Alternative Rock Albums

#12: Chicago Sun-Times

#25: I Rock Cleveland

#53: Amazon.com editors’ Best Albums

General Favorite Listing: Allmusic.com Best Noise Albums

#4: Sun Kil MoonApril

#1: Erik Thompson (Culture Bully)

#2: Jonathan Cohen (Billboard)

#5: New York Observer

#7: Robert Thompson (Billboard)

#8: Paste Magazine

#16: The A.V. Club

Honorable Mention: Pitchfork

#5: PonytailIce Cream Spiritual

#8: Blender

#12: Tiny Mix Tapes

#13: Fact Magazine

#50: Pitchfork

General Favorite Listing: Allmusic.com Best Noise Albums

#6: Neon NeonStainless Style

#7: Uncut Magazine

#11: NME

#28: Mojo

General Favorite Listings: Stephen Thomas Erlewine (Allmusic.com, top pop albums), Matt Collar (Allmusic.com, top pop albums),

#7: The Mae Shi – HLLLYH

#8: Baltimore City Paper

#18: Pitchfork

#8: The DodosVisiter

#2: Josh Keller (Culture Bully)

#5: Katie Hasty (Billboard)

#9: Chris Barton (L.A. Times)

#10: Eric Mahollitz (KEXP), NPR Second Stage

#12: Cokemachineglow

#23: Stereogum (Gummy Awards)

#24: I Guess I’m Floating

#39: Paste Magazine

Honorable Mention: Pitchfork

#9: Friendly Fires – Friendly Fires

#8: Drowned In Sound

#10: NME

#46: WOXY (Top Played Albums)

General Favorites Listings: Melissa Trejo (KEXP)

#10: Food For AnimalsBelly

Looks like it’s just me…

…then again, this list is quite short of “comprehensive.” And in the end, it’s ultimately the individual who chooses what they like, right?

Nothing About Vonnegut

Sometimes life feels like a Kurt Vonnegut book, the way seemingly random events and lineages come together in unknown ways. It also helps when you checking out a heaping helping of Vonnegut novels from the library and his particular method of story-telling seeps into your life.

My current fix

My current fix

Let me explain:

Having recently graduated and awaiting the days before I enter the world of employment, I have to amend some of my routines in life. Specifically, I have to watch out for what I spend my money on. As I don’t do anything in the ways of illegal downloading, my music collection has grown in odd ways and forms in the past few months. As I rarely have the chance to buy anything new, I’m always on the hunt for free albums that musicians have circulated online. And more and more, my newly-acquired musics are within the realm of hip-hop. And justly so.

Mixtapes have always been a key tool within hip-hop circles as a way to circulate music. As each day passes, it seems that more free mixtapes are cropping up online, completely free of charge (at least, for a short span of time). And so, in my quest for free music, I happened upon a very Vonnegut-like happenstance: I discovered a great hip-hop artist that hit very close to home.



Wale (not to be confused with the irresistible Pixar film Wall-e) is a DC-based rapper who has recently signed with Interscope. For years I searched far and wide for a hip-hop artist who managed to break out of the confines for DC. Because in the world of DC hip-hop, if you don’t make it out of town, you’ll be on the out in town. I remember spending years clipping articles from The Washington Post about the search for DC’s great hip-hop hope… or hype. For some reason, of all the big cities in the union, DC was practically the only one without a well-established hip-hop artist or scene to call its own. Punk, jazz, funk, soul and any number of other genres had some great member who called DC home. But not so much in the ways of hip-hop.

As soon as I left DC for college – only to return for short breaks – Wale began to hone his craft. In 2006, Wale released “Dig Dug,” which grew into a huge hit in the DC metro area and its surrounding states. Since then, Wale has been heralded in everything from The Fader to XXL to Rolling Stone to Entertainment Weekly and my faithful Washington Post. Wale’s gotten chummy with the big kids such as The Roots and Lil’ Wayne, performed his song “W.A.L.E.D.A.N.C.E.” at the 2007 MTV Music Video Awards, and announced his signing with Interscope this past March. And all this time I was trapped in the college bubble.

And then this past weekend I noticed Wale was among a number of artists performing at Rock the Bells when it rolled through Massachusetts on Saturday. And I noticed he was from DC. Today I found myself a link to Wale’s most recent mixtape, The Mixtape About Nothing, a creative ode to Seinfeld. The mixtape was released back in May, but it’s never too late to discover it.

The Mixtape About Nothing

The Mixtape About Nothing

As numerous critics (and there are a ton that have turned their heads to hear this one) have commented on the mixtape’s peculiar relationship to Seinfeld, I was more taken by Wale’s intricate use of go-go. Go-Go is a DC-creation, one of the two dominant strains of music that have made their root in the city these past few decades. While emo eventually made its way out of the DC area after toiling in the underground punk circles of the nation’s capital, for the most part go-go has yet to really survive outside of the city’s limits. Go-Go, a subgenre of funk known for its call and response involvement with the audience, its syncopated rythms punctuated with a mass of percussive instruments, and its ability to draw out funk-grooves for lengthy amount of times (it’s ability to “go and go” in effect) has mostly spent its lifetime in the DC area. The two most recognizable go-go names/phrases outside of DC today are Chuck Brown – the genre’s creator – and the song “Let Me Clear My Throat.”

Chuck Brown

Chuck Brown

Remembering all those years back, reading articles proclaiming that DC’s best hope for hip-hop haven, The Washington Post noted that the individual that does make it should do so by making use of the city’s beloved sound, hip-hop’s distant cousin – go-go. And correctly so. Wale does this flawlessly on The Mixtape About Nothing and with enough gusto to (hopefully) impact a generation of international hip-hoppers. While “The Opening Title Sequence” is a great sampling of the Seinfeld introduction and has taken the critics’ cake, “The Feature Heavy Song” practically steals said cake with its go-go driven beat that takes a crack at all the morbidly uncreative instrumentals that have plagued mainstream radio stations.

Wale is being proclaimed as the next big thing. But for right now, my encounter with The Mixtape About Nothing is a tale for how I found my way back home through a musical entity I wish was produced when I still could hop on the Metro and go-go around DC.

Wale – The Mixtape About Nothing

Wale – W.A.L.E.D.A.N.C.E. video: