Tag Archives: Interscope

All The Random Stuff That’s Fit

Let’s break this down in bullet points:

*TV on the Radio‘s Dear Science, has officially been released online, one week early. Who knows why Interscope made the decision, and really, who cares? You can purchase the album on iTunes or stream it for free at Lala (you must sign up first). Upon first listen it is… amazing. There really is no reason to doubt the band, and it sounds that with each growing album they continue to challenge one another as a unit to create a bombshell of a discography. ‘Nuff said.

TV on the Radio

TV on the Radio

*Mean Magazine has one of the oddest things I could have imagined: a video of Ben Kingsley as Ian MacKaye “performing” the song “Minor Threat”. As if my respect for Kingsley as an actor couldn’t grow any more, and then this popped online. My only wish is that there was less of a photo-collage feel and maybe a little narrative. No bother. To think that just a couple of months ago Kingsley was stealing scenes in local movie theaters as a drugged-up shrink in The Wackness; just to see him in the same pose as MacKaye in his Minor Threat days send chills up my spine. It’ll be an odd day when that actually turns into a film, but one I’d love to see. A significantly older man (Kingsley) playing a verbosely young musician (then-teenaged MacKaye) in the pinnacle of hardcore punk bands… now there’s something that would put I’m Not There to shame. Now I can’t seem to get the thought of Adrien Brody as Guy Picciotto for some sort of Revolution Summer project alongside Kingsley…

*Now for a little personal plug: I’ve organized a show at P.A.’s Lounge in Somerville this coming Sunday (September 21) featuring none other than Juiceboxxx, who I wrote about in an earlier post. It’ll also feature sets from Wham City/Baltimore scene stalwarts Narwhalz and DJ Dog Dick (the later who will be performing alongside Dan Deacon on his Baltimore Round Robin Tour), and an opening slot from Boston’s very own Ppalmm. All of these artists have their own unique take on electronic-based music, and it should be one amazing show. At $6 a pop ($9 for those 18-20), you really can’t go wrong.

Juiceboxxx – Thunder Jam III (video):

Narwhalz – Phar-Oooh (live):

Save the rest for Sunday…

It is the Golden Age

I’m probably one of countless others to check out the newest TV on the Radio song, “Golden Age,” today. Hopefully, I’m also one of countless others to be absolutely floored by the track. The song is off the band’s new album, Dear Science, which will be arriving in just over a month on Interscope, and is available for streaming access at TVOTR’s site. And you’ll never want to move beyond the opening page after hearing this one. It’s just enough to listen and stare at the record’s cover art:

Dear Science cover

Dear Science cover

The cover is a simple, streamlined vision (not unlike Desperate Youth Bloodthirsty Babes, though considerably lacking any outright image). But the song is not quite simple, and it’s all the better for that. The opening bassline is reminiscent of early Talking Heads, while some of the bridges and choruses remind me of a palatable mix of Michael Jackson and George Michael, with high-pitched vocals swept up by uplifting horn sections. It’s got the familiar TVOTR sound, but it’s got a candy-coated pop blast which is celebrated in the spare hand-claps and the string section that pops up halfway through. And man, is it slick, but with a tasty noise-meets-hip-hop-meets-electro center. Let’s hope the rest of the album sounds like this.

TV on the Radio in earlier years

TV on the Radio in earlier years

The kind of work that TV on the Radio has been doing for “art punk” or whatever you want to call it is reminiscent of what Fugazi was doing for emo (though not necessarily that namesake) about a decade and a half ago. TVOTR sprung up from a creative community (Brooklyn) and have continued to support their friends and like-minded peers within Brooklyn and other dedicated outwardly-thinking musical communities through touring and recording support (David Sitek produces numerous art punk acts while Tunde Adebimpe has lent his vocals to tracks by Power Douglass and Subtle). But equally important is the band’s dedication to furthering their musical output into regions least explored. “Golden Age” is a prime example of that; while their earlier work is buried in waves of ambient noise and oft-rambling instrumentals, “Golden Age” takes a 180 degree turn from that without abandoning their original musical voice. The same goes for Fugazi, the group who ardently supported like-minded musicians in DC and nationally, while furthering their take on emo (and a variety of other genres) from straight-up punk anthems (“Waiting Room”) to dub-infested cathartic blasts (“Shut the Door”) to hip-hop infested philosophy exchanges (“Stacks”) to punk-pop panache (“Public Witness Program”) to fuzz-infested rock bliss (“By You”) to jazz-funk freak-outs (“Break”) to campfire-worthy classic rock (“Argument”). In the ability to further challenge one’s own expectations in the drive to achieve a greater musical creation, these two acts have certainly shown that anything is possible.

TV on the Radio – Modern Romance (Yeah Yeah Yeahs cover):

Nothing About Vonnegut

Sometimes life feels like a Kurt Vonnegut book, the way seemingly random events and lineages come together in unknown ways. It also helps when you checking out a heaping helping of Vonnegut novels from the library and his particular method of story-telling seeps into your life.

My current fix

My current fix

Let me explain:

Having recently graduated and awaiting the days before I enter the world of employment, I have to amend some of my routines in life. Specifically, I have to watch out for what I spend my money on. As I don’t do anything in the ways of illegal downloading, my music collection has grown in odd ways and forms in the past few months. As I rarely have the chance to buy anything new, I’m always on the hunt for free albums that musicians have circulated online. And more and more, my newly-acquired musics are within the realm of hip-hop. And justly so.

Mixtapes have always been a key tool within hip-hop circles as a way to circulate music. As each day passes, it seems that more free mixtapes are cropping up online, completely free of charge (at least, for a short span of time). And so, in my quest for free music, I happened upon a very Vonnegut-like happenstance: I discovered a great hip-hop artist that hit very close to home.

Wale

Wale

Wale (not to be confused with the irresistible Pixar film Wall-e) is a DC-based rapper who has recently signed with Interscope. For years I searched far and wide for a hip-hop artist who managed to break out of the confines for DC. Because in the world of DC hip-hop, if you don’t make it out of town, you’ll be on the out in town. I remember spending years clipping articles from The Washington Post about the search for DC’s great hip-hop hope… or hype. For some reason, of all the big cities in the union, DC was practically the only one without a well-established hip-hop artist or scene to call its own. Punk, jazz, funk, soul and any number of other genres had some great member who called DC home. But not so much in the ways of hip-hop.

As soon as I left DC for college – only to return for short breaks – Wale began to hone his craft. In 2006, Wale released “Dig Dug,” which grew into a huge hit in the DC metro area and its surrounding states. Since then, Wale has been heralded in everything from The Fader to XXL to Rolling Stone to Entertainment Weekly and my faithful Washington Post. Wale’s gotten chummy with the big kids such as The Roots and Lil’ Wayne, performed his song “W.A.L.E.D.A.N.C.E.” at the 2007 MTV Music Video Awards, and announced his signing with Interscope this past March. And all this time I was trapped in the college bubble.

And then this past weekend I noticed Wale was among a number of artists performing at Rock the Bells when it rolled through Massachusetts on Saturday. And I noticed he was from DC. Today I found myself a link to Wale’s most recent mixtape, The Mixtape About Nothing, a creative ode to Seinfeld. The mixtape was released back in May, but it’s never too late to discover it.

The Mixtape About Nothing

The Mixtape About Nothing

As numerous critics (and there are a ton that have turned their heads to hear this one) have commented on the mixtape’s peculiar relationship to Seinfeld, I was more taken by Wale’s intricate use of go-go. Go-Go is a DC-creation, one of the two dominant strains of music that have made their root in the city these past few decades. While emo eventually made its way out of the DC area after toiling in the underground punk circles of the nation’s capital, for the most part go-go has yet to really survive outside of the city’s limits. Go-Go, a subgenre of funk known for its call and response involvement with the audience, its syncopated rythms punctuated with a mass of percussive instruments, and its ability to draw out funk-grooves for lengthy amount of times (it’s ability to “go and go” in effect) has mostly spent its lifetime in the DC area. The two most recognizable go-go names/phrases outside of DC today are Chuck Brown – the genre’s creator – and the song “Let Me Clear My Throat.”

Chuck Brown

Chuck Brown

Remembering all those years back, reading articles proclaiming that DC’s best hope for hip-hop haven, The Washington Post noted that the individual that does make it should do so by making use of the city’s beloved sound, hip-hop’s distant cousin – go-go. And correctly so. Wale does this flawlessly on The Mixtape About Nothing and with enough gusto to (hopefully) impact a generation of international hip-hoppers. While “The Opening Title Sequence” is a great sampling of the Seinfeld introduction and has taken the critics’ cake, “The Feature Heavy Song” practically steals said cake with its go-go driven beat that takes a crack at all the morbidly uncreative instrumentals that have plagued mainstream radio stations.

Wale is being proclaimed as the next big thing. But for right now, my encounter with The Mixtape About Nothing is a tale for how I found my way back home through a musical entity I wish was produced when I still could hop on the Metro and go-go around DC.

Wale – The Mixtape About Nothing

Wale – W.A.L.E.D.A.N.C.E. video: