Tag Archives: Liz Phair

A Brief Scribe on Scrunk

The behind-the-scenes (or rather, behind-my-thoughts) on the Boston Phoenix piece I did on scrunk and Warped Tour is still to come, but consider this a little preview. A lots been said online since the piece went on the net about scrunk/crunkcore and its impact on Warped Tour, which isn’t to say that my article caused these comments (that would be a tall tale), but it’s certainly part of the ripple effect since the announcement that bands like brokeNCYDE and Millionaires.

I’ll discuss a chunk of that soon, but I think the most audacious claim is that the music of kids today is worse than yesterday. To hear “punks” say something like that is more than a bit odd and even counter-intuitive, making these folks appear no better than the old rock dinosaurs and their fans that helped spawn punk in the first place. Whatever you may think of Warped Tour, put that aside for the moment. True be it, the sheer number and impact of scrunk acts on the tour this year is more than noticeable, which is the reason I wrote the article in the first place. But, these bands are not a reflection of all of “kids today and their music,” or even Warped Tour for that matter. As of now, these bands currently fill a simple niche, that being a combination of being in the limelight, riding the tipping point of a trend in mainstream, teenaged alterna-rock, and yes, “controversy,” for whatever that word means nowadays in this context (I honestly think that, at this point, these bands words may be offensive and their music rather tasteless, but their actual existence is hardly controversial). And so, because of their infamy, many of these bands are highly regarded as the epitome of why music today sucks.

And to that, I call bullshit. Since the dawn of time when humans found rhythm, there were countless individuals who followed in the paths of those who could morph these sounds into art. And a lot of the followers created stuff that is hardly up to muster. I hardly know the history of music in humanity because I wasn’t alive at the dawn of time, but simply looking at recent musical history, how many shitty bands and musicians tried ripping off everyone from Robert Johnson, Bob Dylan, James Brown, Elvis, The Beatles, Ray Charles, The Sex Pistols, Madonna, Michael Jackson, Joy Division, Talking Heads, Prince, Metallica, Public Enemy, Fugazi, Nirvana, Liz Phair, Nine Inch Nails, The Fugees,Notorious BIG, Green Day, Moby, Ani DiFranco… hell, even any big-hit internet sensation today, far be it that they extend past their net-worth 15 minutes. Because for every Nirvana, you’ve got a Creed. And for every Creed, you’ve got a Nickelback. So to say that a band like brokeNCYDE shows why the music today sucks is not fair to brokeNCYDE (their music isn’t really deserving of that kind of responsibility) nor is it fair to youth or music fans. It’s a conceit that just pleases music fans who’ve decided to tune out on what is going on with people who are making music today and not make them feel bad for missing out, all the while claiming they were alive for the best music ever.

It’s all false.

If you want to talk Warped Tour, fine, let’s go ahead and do it. I’m particularly excited about Warped Tour this year because the more “fringe” acts may easily upstage those acts on the bigger stages. For the “punk is dead folks,” there are the NOFXs and Less Than Jakes to go around: those bands will never stop playing Warped, so please stop complaining about how Warped has “totally changed for the worse,” because the older acts are some of the highly considered groups on tour. 

But look elsewhere and you’ll find some really fantastic acts. Like P.O.S., who has really grown into his skin and rhymes to craft some of the best hip-hop in the past decade and puts on one hell of a show. Or Gallows, the UK hardcore band that took that country by storm for bringing passionate performance back to punk, on record and in concert. Hell, there’s even Shooter Jennings on tap this year, and his Southern country might be the most abrasive sound to a young “punk” on Warped. Considering punk is supposed to embrace anything that challenges the usual rock norms, the inclusion of these acts brings some heft and yes, cred, to Warped. And that’s just the tip of the iceburg.

So feel free and go ahead and bash the “music of today” for being shitty, but your scope will be fairly close-minded. True, I focused on a particularly insidious trend on Warped, but that’s because I was drawn to the “genre” and its mere existence to begin with and that inspired me to write the article. The idea to write a piece on the “non” “punk” acts would be a little odd simply because there’s a healthy dose of diverse genres and trends every year – hell, that’s what I look forward to catching if I check out Warped on a particular year. But the meteoric rise of scrunk really caught my eye/ear, and I felt it reflected a particular takeover of a chunk of Warped that hasn’t been experienced since the summer of 2004. The rest of it is merely a continuation of what Warped has excelled at: provide a mix of old and out-there acts among the trendy thing for 13-22 year olds.

Anyway, now I’m going into all sorts of odd directions and getting off the beaten path… I’ll be sure to cover some of this stuff a little more in due time.

In the meantime, below is the new video for the P.O.S. song “Purexed” (a highlight from his new album, Never Better), and a pdf of the scrunk article, which is in the Phoenix that hit newsstands a few hours ago. Enjoy.

P.O.S. – “Purexed”:

Scrunk Happens:

*Sorry it’s soo teeny, but I think you get the picture (as it were)

597-Way Tie For Most Eclectic Proposal

What could have been - fake cover for a famously rejected proposal

What could have been - fake cover for a famously rejected proposal

The 33 1/3 blog released the final list of the nearly 600 potential books on a wide variety of albums that Continuum received after the call for open proposals a little while ago.

Needless to say, it’s quite a list. It’s interesting to see what albums people are passionate enough about to fill an entire book, and think about numerous individuals (who most likely don’t know one another) who came together at the same entry period and wrote a proposal about the same record (Liz Phair’s Exile in Guyville and Slint’s Spiderland got a lot of props).

Perhaps what’s great to see is the number of emo albums that have been proposed. In general, it’s a generous heaping of bands in the large arc of emo’s narrative. There’s Fugazi (who received numerous proposals from their discography), Lungfish, Jawbreaker, Jimmy Eat World, Say Anything, and (of course) Fall Out Boy.

Now, I must admit, I submitted a proposal too. Mine is for The Promise Ring’s 1997 album, Nothing Feels Good.

Nothing Feels Good Album Cover

Nothing Feels Good Album Cover

From the looks of all the proposals, it sure must be tough to choose 20 or so out of hundreds of great ideas. But, I’ve got my fingers crossed for my idea. And it’s not just because I am the one who wrote and worked on the proposal. Rather, I feel it’s record that needs to be discussed, and one that hasn’t had the proper opportunity to be carefully observed and thoughtfully written about in the thorough manner that every 33 1/3 book requires. Nothing Feels Good is still as astounding today as the day it was released (nearly) twelve years ago, and its impact on popular music today is equaled by a handful of other albums. Hell, even the folks at Pitchfork who frequently turn their nose down on emo acts and albums loved The Promise Ring’s sophomore disc. If that doesn’t show some middle ground between mainstream popular music listening (to which TPR has had undeniable influence over and certainly had an appeal towards, despite the indie circuit with which they traveled in) and elitist-leaning tastemaking, I don’t know what does.

Hopefully, the editors of the series will think so as well. And one of the first handful of comments sure gave me some hope:

Anonymous Anonymous said…
I thought pitching a book on the Hold Steady was a long shot, but the fact that there were two other proposals for Separation Sunday puts some of my fears to rest…

I appreciate seeing some of my high school staples getting pitched: 24 hour revenge, clarity, nothing feels good… I can, indeed, still feel the butterflies…

tw

2:21 PM

Good luck to everyone who worked hard to get those proposals in on time, and same to the Continuum folks who no doubt will have a lot of hard thinking to do!