It Had To Happen…

I’m referring to a Get Up Kids interview featured on The Drowned In Sound website. Though it’s only been online for a matter of hours, it’s attracted a wave of attention for a rather misinterpreted quote that goes to the tune of GET UP KIDS APOLOGIZE FOR EMO on several other news sites reporting on the interview. It’s a rather brief moment in the conversation, but Get Up Kids guitarist Jim Suptic had this to say when pressed on the term “emo”:

Honestly, I don’t often think about the state of ’emo’. The punk scene we came out of and the punk scene now are completely different. It’s like glam rock now. We played the Bamboozle fests this year and we felt really out of place. I could name maybe three bands we played with. It was just a sea of neon shirts to us. If this is the world we helped create, then I apologise.

Valid points, sure enough. Surely, I tend to appreciate it when bands generally refuse to bash groups that they’ve influenced, instead taking the high road and not delving into that subject simply to not unnecessarily stir any bad blood. What’s funny about all this is that Suptic really is speaking the truth about not keeping up with the state of emo. After all, what he’s describing sounds like scrunk, a sound that’s definitely indebted to and a part of the geneology of emo, but a creation that exists unto itself.

How do I know it’s scrunk Suptic is referring to? Well, the neon shirts are a dead give away. But so is the part of his following answer:

We at least can play our instruments.

Same ole’, same ole’. But, to each his own. I never particularly liked much of the Get Up Kids stuff to begin with… I can understand the role they had in both accelerating emo’s ascent to the top of the charts and providing support for the Vagrant business model, but most of their tunes I just can’t dig. But, as Suptic reveals in the interview, they certainly do fit into the 2nd wave emo lineage:

Fugazi is the reason I am in a band today. When I was 14 I heard Fugazi and started a band the next day. We grew up on indie rock. Superchunk, Rocket from the Crypt, Sunny Day Real Estate, Cap’n Jazz. That’s the kind of stuff we were listening to when we started.

Sounds familiar. And though Superchunk and Rocket aren’t emo bands, Superchunk is noted to have a pretty solid influence on 90s indie music, including emo (The Promise Ring anyone? That’s all Pitchfork could do when talking about TPR was to compare the two), and Rocket are a Drive Like Jehu offshoot of post-hardcore. Basically your out-of-the-ordinary ordinary roundup of influences for a second wave emo act.

This whole thing could potentially snowball into the Tim Kinsella vs Max Bemis free-for-all, though Tim had a more malicious rant against the emo acts he inspired, and Max had just as much venom when tossing insults right back. Good for Suptic for generally foregoing all the drama of attacking every band in Alternative Press and generally letting them be, even if he can’t give them credit for their music. Oh well.

The Get Up Kids – “Action & Action” (video):

VS

The Bamboozle fare… BrokeNCYDE – “40 oz” (video):

Bamboozled!

Tonight at Harpers Ferry, Enter Shikari‘s singer Rou had something rather stunning to say about performing at Bamboozle the previous day:

“Every band sounded exactly the same.”

There was more in that quote than just the one line, pretty much along the lines of how terrible all the bands were, which is a bit interesting simply because Enter Shikari’s trancecore travels along the same path as a good chunk of the emo and screamo acts that played Bamboozle this year, although they do have a pretty distinct sound in comparison to many a Taking Back Sunday wannabe. In fact, it’s by no stretch of the imagination to think that Enter Shikari’s mix of techno and hardcore had some impact on the “scrunk scene“: Enter Shikari hit it big in the UK in 2006 with a couple of singles that mixed post-hardcore’s heavy, low-end guitar work and juxtaposition between screaming and singing and trance’s lush electronic compositions, and then hit the top of the charts in the spring of ’07 with Take To The Skies. The band really touched down in the US via videogames, as a couple of their big hits made their way into EA Sports NHL 2008 and Madden Football 2008. It isn’t a stretch of the imagination to think that out in Arizona, the future members of Brokencyde picked up Madden Football and found some musical inspiration… or something like that.

Enter Shikari explained their Bamboozle predicament further on their Twitter:

Check out Bostonist tomorrow for a review of their show at Harpers.

Enter Shikari – “Sorry You’re Not A Winner” (video):